Song picture
Blah Blah Blues
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Single   $0.75
Album   $7
Track from the 2006 CD 'Interim Reports' - see Links to purchase.
singersongwriter fingerstyle guitar acoustic guitar songs fingerstyle guitar songs
Artist picture
Triangular songs of unrequited lust on gatling-gun fingerstyle acoustic guitar...
Dave Keir picked up the guitar at a very early age - too early, in fact, to learn any extant songs or tunes so he became accustomed to picking out his own tunes from the very start. The habit become so deeply and irrevocably ingrained that even a concentrated effort to mend his ways during an interregum in the 80s and 90s had little effect - a relapse was always just around the corner. Dave's pedigree includes many years playing and recording in London and touring the UK and Europe before he retired from the professional scene in 1981 for family and personal reasons. But he always kept a finger on the pulse. And the songs just kept popping up. With the advent of project studios, Dave equipped himself accordingly for the purpose of recording the now substantial back catalogue of songs that had accrued during these years and also to record local musicians who happened by. One late example of these collaborations resulted in the release of a CD of fiddle tunes for some local musicians. Not suprisingly, this marked the beginning of the end of the hiatus. Dave's songs have been described as "quirky", "wry", "sly", "wiry", "muscular", "poignant", "scurrilous", "sleazy", "philosophical" (huh?), and "tuneful" - it depends on the song, he says (duh!). But always, they are "about" something. They range from being almost journalistic about his experiences to wild extrapolations from a single glance or passing smile. Tax worries and mountaineering play a big part in some of the songs - but a higher proportion yet appear to be about unrequited lust. Dave's guitar playing has been described at "gatling-gun", "complicated", "fast", "slow", "simple", "bright", "dark", "dense", "spare", "percussive", "songfull", (yes, I know - it depends on the song). It happens that he's a left-handed guy who plays guitar right-handed. There is no space here to muse on the net effect of that. As for so many independent artists, the coming of the internet has given Dave a new window of opportunity to reach an audience whom, some would say, may be called "niche", and difficult to reach by traditional means. All this has enabled the production release in 2006, of this CD, "Interim Reports", which has been thoroughly welcomed wherever it has been heard. Dave's public performances are, at the time of writing, limited in number and scale, however wherever he does play, the performances are enthusiastically received without exception. So he is now embarked upon a path of recording and issuing songs that are either freshly composed or have been accumulated through the years. However, nothing will get released on a CD that hasn't served time in front of an audience, so the recording and performing sides of the work are closely connected. Plans for the future are centred around not only playing regularly throughout the UK and Europe again, but also to open up new horizons by way of performances in the US. That's it. Thanks for taking the time to read these few lines and if you have been listening to a few of the songs from "Interim Reports", we hope you have enjoyed them!
Song Info
Charts
Peak #220
Peak in subgenre #38
Author
Dave Keir
Rights
Dave Keir 2006
Uploaded
October 13, 2006
Track Files
MP3
MP3 2.8 MB 320 kbps 3:03
Story behind the song
An unusual song for me in that it speaks of unconfined joy! Hmm… Like most “happy” songs, does it lack a little… er… depth? Nevertheless, it’s unremitting good spirits, were it to have been juxtaposed with, say, a more contemplative “middle-eight”, would might have lent it an air of bipolarity that would have been a slight upon its innocence. I’m satisfied that it at least changes key a couple of times - a fact which brings up a curiosity: this happy-go-lucky tune spends most of its time in the Minor mode which I find strange because I have no difficulty at all in making the Major sound downright suicidal. The chromatic falling harmony in the verse is as common as muck, I know. But hey - it’s my song, so there! By the way (I hear you ask), what’s a “hey-ho-noddy-no”? It’s a term ubiquitously used in English folk songs. I’ve got no idea what it means. And a “diddle-de-dum”? Sorry, don’t know. A “Tickety-boo”? A term meaning “far out, man!”. And finally, what’s a “la-di-da”? Nothing: I was just singing scat vocal as I was writing this bit and I never did find a proper lyric and so the scat stayed and got onto the CD. Well, I hope that helps in increasing the satisfaction you get from the experience of listening to “Blah Blah Blues” (even the title never got finished). At the end of the day, it might be best considered as a vehicle for some fun guitar bits and a chance to let off steam.
Lyrics
I'm walking out the door With a hey-ho-noddy-no Believing I am indefatigable Full of the joys of spring Don't you step on my blue suede shoes I'm walking down the road Full of diddle-de-dum Believing I am inextinguishable Life is just tickety-boo I'm thinking I'm good looking too I'm walking in the bar Full of la-di-da Believing I am indestructible Feel like a million bucks Whistle a little blah-blah blues I'm rolling up the road Without a word of a lie Believing was unbelievable I was capable of anyithing I'm thinking that I can sing
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