Song picture
Lord Baltimore
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Self-taught musician & ethnomusicologist, Tom Tracy paints with sound.
Each performance by multi-instrumentalist Tom Tracy is unique and like no other. His impeccable matching of exotic and unusual instruments which accompany his smooth vocals creates the perfect arrangement to complement the song. Performing both original and obscure cover tunes, Tom accompanies himself with an arsenal of instruments typically a different instrument for each song. Tom Tracy grew up in Southampton, PA, a suburb north of Philadelphia. His first onstage appearance was in 1970, at the age of 10, performing an uncannily accurate imitation of Tiny Tim’s version of the 1930’s classic, Tiptoe Through the Tulips - a song he still occasionally performs. Increasing his skills on various stringed instruments, Tom mastered the 5-string banjo in his teen years and began teaching banjo and guitar privately. When he realized that the instruments he wanted either didn’t exist or he simply couldn’t afford them, he began building his own. Now more than 20 years since constructing his first electric guitar, this self-taught ethnomusicologist and skilled luthier continues to build, refine, and/or repair most of the instruments used in his performances: from the simple Hawaiian pu’ili, or Brazilian rainstick, to the more complex stringed instruments such as the acoustic slide guitar, Turkish saz, African kora, cümbüs, cittern, oud, or bouzouki. Sometimes witty, sometimes zany, always entertaining. “I want to think of my performances as fun, thought-provoking, and musically educational.” In concert, Tom not only accompanies his voice with unique instrumentation, but he effortlessly combines folk, blues, rock and bluegrass traditions with musical styles from around the world, often taking songs to new plateaus.
Song Info
Genre
Rock Folk Rock
Charts
#12,158 today Peak #10
#666 in subgenre Peak #1
Rights
(c) 2003 Silent Earth Productions
Uploaded
March 13, 2010
Track Files
MP3
MP3 4.3 MB 128 kbps 4:43
Story behind the song
While standing on a ridge at Hawk Mountain, I looked to one side and saw untouched wilderness, and to the other, a thriving farmland. This was the original inspiration for this allegorical song - imagining the birth of the nation, and longing for that innocence. For all the train buffs listening, I did my research and the information about Lord Baltimore is accurate. However, the B & O line is nowhere near Hawk Mountain, PA. - chalk that up to artistic license. Tom Tracy: vocals, Turkish saz, lap steel, Weissenborn-style Hawaiian guitar, keyboards T. S. Tennyson: Drums and percussion
Lyrics
Lord Baltimore I recall as a younger child How I sat by the rails And tried to pass the time away I turned and looked and saw I felt the rumbling of the trusses Fill my heart with wild imagination Anticipating Flying riding far across the land Picking up in desperation Reaching out to see it only passes by my hide-away But a moment in time I turned to see Lord Baltimore come rolling by I reached for the rails and I grabbed and made my fantasy reality He was a single expansion locomotive on the B & O line He traveled smooth and fine And the feelings I had and the admiration and the memories The wonders of the moment As I sat on the silver rail Traveling down the steel trail The field hands and the farm hands And the concrete jungle choking, smoking in the orange sky How it made me cry Am I a man much older now Or has he vanished And will I see him again Like a monument these rails were made I cana€™t restrain myself from wondering One day hea€™ll be coming back So I wait by the rails and try to pass the time of day I watch these mountains fade away I turned and looked and saw I felt the rumbling of his heart inside of me Could last eternity And the feelings I had The admiration and the memories The wonders of the moment The warriors cry, a€œGood bye American dreama€ I grabbed the train as a child In deep elation Running wild and moving with the locomotive engine Further on
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