Steve Gilmore and In No Sense
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Dutty Munny Dutty Munny
Track four from the new Primal album from Steve Gilmore and In No Sense. This track is a bit moodier, darker than the majority of tracks on this album but hey, indulge :)
All Praise To Jah All Praise To Jah
Track Three from Primal is indicative of the sort of vocal styles I have been working with on this album. Plenty more of this to come
Brethren In All Directions Brethren In All Directions
Track two from Primal is an introduction to the rhythmic base this whole album is based on, so if you want to get your dance shoes on....
It Starts With You It Starts With You
The first track from Primal, the new album from Steve Gilmore and In No Sense. I've already released a cheap and nasty video for it, but this is the real deal - and another 13 tracks to come.
Conscious Being (Rule The Land) Conscious Being (Rule The Land)
Track one from The Instrumental Rasta shows the direction I'm going with this album...
Cosmic Frequency (Wall Fall Down) Cosmic Frequency (Wall Fall Down)
The second track to be released from The Instrumental Rasta album carries on in much the same musical vein as track one, Cosmic Frequency (Wall Fall Down) is a mixture of ska and reggae that took me a long time to meld together but it was oh so worth
Liberation Dub Liberation Dub
Track three from my latest album is, IMHO, exactly what I have been trying to make for years - a terrific dub track. To me, Liberation Dub is one of the standout racks from The Instrumental Rasta, but obviously I am well biased.
Pay Or Pray Pay Or Pray
Track four from The Instrumental Rasta is the first track from that isn't reggae based/inspired and, honestly I have no idea what genre it may be. Electronic yes, dance-y yes, kitchen sink job? Check :) Now it's time to Pay or Pray!
International Dubstep International Dubstep
Two thirds of the way through The Instrumental Rasta album, track five reverts back to the main musical thread of this album: a mix of reggae/ska and dub (oh and maybe even a bit of rock too) 1-2-3-4 International Dubstep!!
Cover Up Cover Up
Track six from The Instrumental Rasta is yet another detour from the reggae/dub norm, although it definitely incorporates the flow of the genre - albeit in a totally different, and more classical, direction.
Flags and I Flags and I
Track seven (of 15 tracks) from The Instrumental Rasta returns to the main reggae/dub/ska theme of this album but I think you'll find that rock plays a much bigger part than first appears ;)
Caught In The Ripples Caught In The Ripples
Song eight (of 15) from The Instrumental Rasta album is the last but one track that veers away from the albums main reggae theme although, I think you'll agree, it doesn't lack for rhythms. Get Caught In The Ripples
Black Hole Dub Black Hole Dub
Out of the seven tracks still to come from The Instrumental Rasta, only one veers away slightly from the album's overall reggae/ska/dub/wtf feel. So let's get the punky reggae party started with track nine (of 15) ' Black Hole Dub' Seen?
Good Old Days Good Old Days
Track ten of The Instrumental Rasta is Good Old Days, one of the longer tracks on the album and one where I really tried to stretch the format. IMHO, it works very well, but I would say that huh? Lotsa help from master MC's on this track (Lone Rang
Calliope Calliope
Track eleven (of 15) from The Instrumental Rasta, continues the reggae experimentation but - like all the last five tracks - ends up in a VERY different place. One of my favourites anyway so nrrrr
Jah Love (So We Can Dance Jah Love (So We Can Dance
Track 12 from The Instrumental Rasta album is a real kitchen sink job. My music has always had a wanderlust and on this track it seemed to stretch forever. Not quite as heavy reggae as the tracks to come but some nice MC-ing I think.
Guiding Star Guiding Star
The final three tracks from The Instrumental Rasta are IMHO the most radically odd tracks, where the experiment with reggae forms goes into overdrive. So, track thirteen is Guiding Star, which you'll also hear in a much altered form in the NEXT albu
Praise The King Praise The King
Now here's where things get really weird :) Track fourteen is Praise The King. First off, working with Jamaican rappers is always fun because their vocal style is so loose, secondly as much as I understand about the Rastafarian religion I canno
When You're Wrong, You're Wrong When You're Wrong, You're Wrong
Last track of The Instrumental Rasta is When You're Wrong, You're Wrong, one of my favourites from this album. As you may have noticed the tone of the last three tracks (Guiding Star, Praise The King) and this one all carry a heavy reggae Jah man sou
The Urge To Be Free The Urge To Be Free
The 30th (and final) track from The Disobedience Gene features part of a speech by President J F Kennedy on the nature of freedom, and people's incessant drive to achieve that. Like many old farts, my worldview was (in part) shaped by this most infur
