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THE SWORD AND THE CROWN
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THIS IS A MAJESTIC 3 MOVEMENT SUITE FOR CONCERT BAND WRITTEN BY ENGLISH COMPOSER EDWARD GREGSON (1988). THE MUSIC IS BASED ON PLAYS FROM THE PLANTAGENETS TRILOGY, AND ARE CONCERNED WITH THE STRUGGLE FOR POWER (CROWN) THROUGH THE USE OF FORCE (SWORD).
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Contemporary band compositions, classical music arrangements, marches, jazz, symphonies, overtures. A collection from bands that I have played in throughout hi
Hello and welcome! "Symphonic Band Performances" is a compilation of recordings from several high school and college bands that I played in including the TMEA (Texas) All State Band, the TMEA Region X All Region Band, the Interlochen Arts Academy National Music Camp, the Cal Poly Tech Band, San Luis Obispo, the USAF Golden West Band, and recordings from my h.s. band, Beaumont H.S. and a few band recordings that were passed down to me. Also included are various All State groups and college and university bands. I participated and played in the large majority of these recordings. There are no professional recordings here and every recording is Public Domain. Most are available for free download. Each song has been converted from the original analog or digital source and edited with Audacity or Dak software. In the majority of these recordings, I play the tenor sax or alto sax, b flat or e flat clarinet, or directing. I was drum major for 2 years in high school, I have a BA from Cal Poly, San Luis Obispo, where I studied music ed, composition and theory. I had about 500 more recordings I was planning to digitize and upload, but this past Nov. 20th, my home was completely destroyed by fire, and all the contents, including all my music and instruments. So, this is it. Please feel free to post a comment here or on my member page. If you like, please become a fan by clicking "I'm a fan" below.
Song Info
Genre
Classical • Medieval
Charts
Peak #45
Peak in subgenre #5
Author
Edward Gregson - 1988
Rights
public domain
Uploaded
February 12, 2010
Track Files
MP3
MP3 17.2 MB • 159 kbps • 15:09
Story behind the song
THE SWORD AND THE CROWN Program notes from the composer - Edward Gregson In 1988 I was commissioned by the Royal Shakespeare Company to write the music for The Plantagenets trilogy, directed by Adrian Noble in Stratford-upon-Avon. These plays take us from the death of Henry V to the death of Richard III. Later, in 1991, I wrote the music for Henry IV parts 1 and 2, again in Stratford. All of these plays are concerned with the struggle for power (the crown) through the use of force (the sword) and they portray one of the most turbulent periods in the history of the British monarchy. This work quickly became established in the mainstream repertoire and has received performances worldwide as well as five commercial recordings and many broadcasts. In 2002 I was approached by the Parc and Dare Band regarding their summer festival and commissioned to do a version for brass band. This was given its first performance in Treorchy Hall by the combined bands of Black Dyke and Parc and Dare conducted by Nicholas Childs. When the Royal Air Force Music Services commissioned me to write a work especially for their British tour in 1991 I immediately thought of turning to this music and transforming some of it into a three-movement suite for symphonic band. The first movement opens with a brief fanfare for two antiphonal trumpets (off-stage), but this only acts as a preface to a Requiem aeternam (the death of Henry V) before changing mood to the English army on the march to France; this subsides into a French victory march, but the English army music returns in counterpoint. Finally, a brief reminder of the Requiem music leads to the triumphal music for Richard Plantagenet, Duke of York, father of Edward IV and Richard III (the opening fanfare transformed). The second movement takes music from the Welsh Court in Henry IV (part 1) which is tranquil in mood; distant fanfares foreboding battles to come are heard, but the folktune is heard three times in different variations and the movement ends as it began with alto flute and gentle percussion. The final movement starts with two sets of antiphonally placed timpani, drums and tam-tam, portraying the ?war machine? and savagery of battle. Trumpet fanfares and horn calls herald an heroic battle theme which, by the end of the movement, transforms itself into a triumphant hymn for Henry IV?s defeat of the rebellious forces.
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ALEXIS PATRICK
Jun 04, 2010
IVAN, This song is beautiful and reaches my soul. There is something haunting about it. Rapturous melodies..