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Everybody's Welcome to The Hooley!
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Psycho-Ceilídh
sod em begorrah heres
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London-Irish Psycho-Ceilidh: "...Neck sound as if The Clash were born on The Emerald Isle."
Known as 'The Heavy Artillery of Irish Music', London-Irish band NECK have, deservedly, established themselves as a leading force in the Folk-Punk scene; with their rip-roaring, irrepressible ‘Psycho-Ceilídh’ sound having been matured over eight years of furious global gigging, previous album releases in Europe, and Anti-racist single 'Everybody's welcome to The Hooley!' charting in the UK in 2006. The6 piece band's sound juxtaposes, perfectly, the swirling spiritual abandon of authentic Traditional Irish music : (fiddle, tin-whistle, Uilleann pipes and banjo) with the electric energy blast of a full-on, pumped-up to fe*k Punk band! - Distilling the sound of two other mighty London rebel bands - The Clash & The Pogues & 'carrying the torch on' with their own, unique London-Irish brew: Psycho-Ceilídh! - And, whether it’s swirling instrumentals; rowdy, raucous drinking songs; original, imaginative re-workings of Traditional Irish standards; angry political polemic; chest-beating anthems or tear-jerking ballads - NECK cover ALL bases of Irish music with passion & pride. And all this is driven by the authentic, passionate voice of their lead vocalist, guitarist & song-smith - a man with both a vision & undeniable pedigree: an ex-member of Shane MacGowan's Popes; from the same Irish enclave of North London that spawned Johnny Rotten; & with close family roots in the same Dublin neighbourhood as Dave King of Flogging Molly... O'Keeffe's also guested with The Alabama 3 & co-written a track on Hayseed Dixie's latest album. The band's rowdy, exhilarating live INVALID s now firmly established them as International Festival favourites from Moscow (in front of 7,000) to Texas - & all points in between! Along with their own headline tours, shows & festival appearances (i.e. Paas Pop, NL's 2nd stage), they've performed with acts such as their U.S. contemporaries (& buddies) The Dropkick Murphys & Flogging Molly; as well as Shane MacGowan, The Levellers, Stiff Little Fingers, The Undertones, Hayseed Dixie & The Misfits. And, amongst others, 2008 was their sixth year at Rebellion/Wasted & the UK's biggest festival, Glastonbury - the only band to play Left Field as many times as Tony Benn & Billy Bragg! 2007 was in front of 5,000! Added to that, Boston’s 'Irish Punk' radio station/ web-zine/ compilation album that revels in all things Emerald and Loud is named for the Neck tune, ‘Shite & Onions’ and their "Psycho-Ceilídh" e.p. featured strongly in a New York's Irish Voice Top Ten releases chart, which included U2 and Sinéad O'Connor! NECK have, subsequently, made two U.S. trips in 2008. With the imminent release of ‘Come out Fighting!’, their début album for Golf Records, they set a whole-new bench-mark... and remain, unquestionably, at the cutting-edge of this music - not just for their songs & the fact that they're taking it in new directions, while still staying true to their Irish-folk roots; but also in the sheer audacity, courage, speed and soul of their Irish musicians! Recorded with the legendary producer Pat Collier, his powers & skill give NECK a new focussed, lean & muscular voice, which should see them take their rightful place amongst their contemporaries. Make no mistake - amongst the leaders and followers of Irish-folk influenced punk bands all over the world - with their roots, understanding and command of the music, NECK are most certainly the real deal! - Eye-brows will be raised. Toes will tap. Tears will be shed. Bodies will be thrown all over the shaggin’ dance-floor! NECK will bring The Hooley! ...Fact. Just some of the Festivals NECK have rocked the bejaysus out of: Glastonbury, UK [x6 / 5 stages]; Rebellion/Wasted, UK [x6]; Punk 'n' Disorderly, D [x3]; Ardoyne Fleadh, N.Irl [x3]; Beautiful Days, UK [x2]; Solfest, UK [x2]; Strummercamp, UK [x2]; Gas Yard Feile, N.Irl [x2]; Waterford Spraoi, Irl [x2]; Crawley Folk Festival, UK [x2]; Paas Pop, NL; SXSW, TX, USA; Dublin Irish Festival, OH, USA; Wickerman, UK; Huntenpop, NL; Wickham,UK; Tantsy, RUSSIA; Irish2000Fest, NY, USA; Wildwood Irish Fest, NJ, USA; With Full Force, D; Skagen, DK; Endorse-it-in-Dorset, UK; Nirwanas TuinFeest, NL; Great Escape, UK; Stadfest, D; Postplatz, CH; Nextpunk, CH; Travobaccano, ITA; Goorock, BE. PO Box 42809, ‘County Holloway’, London, N19 4XF, England Tel: +44 (0) 7973 267547 E-mail: neck6@btinternet.com / neck6irl@googlemail.com Webs + MP3's: http://www.myspace.com/neckireland * http://www.neck.ie/tracks.htm "Bringing Irish Punk past The Poguesat last, a worthy contender for the Celtic punk crown is born!" -Irish Voice, USA "If The Clash had been born in the Emerald Isle, they might have ended up sounding like this!" - Back on the tracks "Another dose of manic psycho-ceilídh from the London-Irish heirs to the Pogues' legacy. not for the fainthearted, this is incendiary, belligerent stuff!" - Hot Press, Ireland "Fans of Folk Punk a la Flogging Molly or Dropkick Murphys will be loving this, and it kicks the shite out of some of the other pale American acts attempting a similar thing." - Punk News "I like a few of the bands that are combining Irish music and punk the Tossers, Neck from London and Fogging Molly from L.A. but there are a lot of crappy bands out there, too." - Ken Casey, Dropkick Murphys
Song Info
Charts
Peak #21
Peak in subgenre #3
Author
Leeson O'Keeffe
Rights
Copyright Control
Uploaded
October 12, 2008
Track Files
MP3
MP3 3.4 MB 128 kbps 3:42
Story behind the song
Firstly, I think I should make the point that, being a London-Irish Punk band, our legacy isn't just the obvious one of The Pogues, Shane MacGowan & all things diddly-aye; but also The Pistols (Rotten, of course, being another London-Irishman, who grew-up down the road from me in 'County Holloway') & The Clash - with all the bolsheyness associated with them. + The Clash politicised a whole generation: & if they stood for anything, it was Anti-Racism, with their legendary appearance in front of 200,000 at the Rock against Racism gig in Victoria Park in 1978 - a baton we feel we should carry-on.   + To this day, the most amazing musical phenomenon I've ever witnessed (it was far more than just a gig!) was The Clash on the White Riot tour, when I was a nipper: they really meant it – it was, quite literally, a riot set to music! And one of the most gratifying reviews we've ever had is: If The Clash had been born in the Emerald Isle, they might have ended up sounding like this! Back on the tracks So it's with this awareness & politicisation, married to the expected Irish swirl, lyricism & general 'up-for-a-Hooley' shenanigans that we've been taking our music forward. Over a space of time, though, we became aware, & concerned, that small numbers of right-wing skinheads were attracted to our gigs – particularly in the USA & Europe: largely, we, gathered through (mis-guided) pre-conceptions they'd formed to do with other bands & mis-understanding our pride in being an Irish band as a form of right-wing nationalism.   Things came to a head & I wrote Everybody's Welcome to the Hooley! in immediate response to Nazi skinheads disrupting one of the European festivals we played at. They were giving-out to one of the other bands about not bringing politics into a Punk gig & attacking people: I was so outraged - &, inspired by the memory of The Clash & what they stood for, I wrote the song on the spot, we ran thru' it, went on, told the Nazis what was what (that they'd kinda missed the point about Punk , & , being an Irish Punk band from London, politics is part of both our legacies & plays a part in what we are) , & played it at them! AND I felt so incensed that they'd missed the point that, in a moment of inspiration, I said I've just got two words to say to you to show you how wrong you are about Punk, & they're 'Joe' & 'Strummer' –'cos I knew he wouldn't have stood for it: & so I got the whole crowd shouting "Joe Strummer" at the eejits!   I really hope, in my heart of hearts, that he would have approved: that his name stands for something & can be used as a talisman, or even a weapon, against intolerance & ignorance. I think I should also make it clear that this was a spontaneous act in response to those mis-guided thugs, & is not part of the stage-act.   We travel the world playing this Punk-Irish mash-up & people love it, no matter who they are, or where they're from: one of our biggest fans is a black girl from Brooklyn - so we see what we do as being inclusive & about bringing people together & having one big party - & although we're proud to be defined by our nationality & culture, our music is not just for White, straight, Christians (or nihilists!) ,& that nobody should be excluded just because of who or what they are - particularly in the context that immigration from Ireland has been so massive: let's face it - virtually anywhere you go, you'll find an Irishman! Besides, my family had all that 'No Blacks, No Irish, No Dogs' shite to deal with when they moved here from Ireland (which is why, for the single sleeve, we used the iconic image of the roughly scrawled sign from a Bed & Breakfast window from London in the 50's saying just that) & I can remember when the Irish joke was the staple of British light entertainment and we were all thick - the Daily Mail cartoonists depicted all Irishmen as either thick, shovel-handed sub-humans or blood-thirsty terrorists. So we're having none of that shite towards anybody any
Lyrics
EVERYBODY’S WELCOME TO THE HOOLEY Ch. Everybody’s welcome to the hooley, Everybody’s welcome to the hooley, As long as you ain't ructious or unruly, Everybody’s welcome to the hooley. V.1 All ye eejits from white power, you can take a golden shower, If you’re gonna come here spoutin’ all yer crap - Although we fly our colours, it’s no stick to beat no others, Let’s make it clear we’re just here for the craic (fact: so no-one gets attacked!) Ch. Everybody’s welcome to the hooley, Everybody’s welcome to the hooley, As long as you’re not ructious & unruly, Everybody’s welcome to the hooley. V.2 & I think you are mistaken when you see our flags we're wavin', -You think we're sayin' somethin' that we're not: After years of being oppressed, we're just proud that we can express What we are, & not confused with what we're not (& you bet yer life we're not!) Ch.> Everybody’s welcome to the hooley, etc. Instrumental Verse> Ch.> Everybody’s welcome to the hooley, etc. V.3 And all those people back at home now, who didn't really roam now & Are giving Xenophobia a go… We're the very last nation that can begrudge immigration, So shut up to feck – ya make a holy show! (Of all of us, with all your stupid fuss!) Ch.> So! -Everybody’s welcome to the hooley, etc. …Stephen Lawrence! ...Anthony Walker!
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