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Track 11 from the 2006 CD 'Interim Reports' - see Links to purchase.
singersongwriter fingerstyle guitar acoustic guitar songs fingerstyle guitar songs
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Triangular songs of unrequited lust on gatling-gun fingerstyle acoustic guitar...
Dave Keir picked up the guitar at a very early age - too early, in fact, to learn any extant songs or tunes so he became accustomed to picking out his own tunes from the very start. The habit become so deeply and irrevocably ingrained that even a concentrated effort to mend his ways during an interregum in the 80s and 90s had little effect - a relapse was always just around the corner. Dave's pedigree includes many years playing and recording in London and touring the UK and Europe before he retired from the professional scene in 1981 for family and personal reasons. But he always kept a finger on the pulse. And the songs just kept popping up. With the advent of project studios, Dave equipped himself accordingly for the purpose of recording the now substantial back catalogue of songs that had accrued during these years and also to record local musicians who happened by. One late example of these collaborations resulted in the release of a CD of fiddle tunes for some local musicians. Not suprisingly, this marked the beginning of the end of the hiatus. Dave's songs have been described as "quirky", "wry", "sly", "wiry", "muscular", "poignant", "scurrilous", "sleazy", "philosophical" (huh?), and "tuneful" - it depends on the song, he says (duh!). But always, they are "about" something. They range from being almost journalistic about his experiences to wild extrapolations from a single glance or passing smile. Tax worries and mountaineering play a big part in some of the songs - but a higher proportion yet appear to be about unrequited lust. Dave's guitar playing has been described at "gatling-gun", "complicated", "fast", "slow", "simple", "bright", "dark", "dense", "spare", "percussive", "songfull", (yes, I know - it depends on the song). It happens that he's a left-handed guy who plays guitar right-handed. There is no space here to muse on the net effect of that. As for so many independent artists, the coming of the internet has given Dave a new window of opportunity to reach an audience whom, some would say, may be called "niche", and difficult to reach by traditional means. All this has enabled the production release in 2006, of this CD, "Interim Reports", which has been thoroughly welcomed wherever it has been heard. Dave's public performances are, at the time of writing, limited in number and scale, however wherever he does play, the performances are enthusiastically received without exception. So he is now embarked upon a path of recording and issuing songs that are either freshly composed or have been accumulated through the years. However, nothing will get released on a CD that hasn't served time in front of an audience, so the recording and performing sides of the work are closely connected. Plans for the future are centred around not only playing regularly throughout the UK and Europe again, but also to open up new horizons by way of performances in the US. That's it. Thanks for taking the time to read these few lines and if you have been listening to a few of the songs from "Interim Reports", we hope you have enjoyed them!
Song Info
Charts
Peak #201
Peak in subgenre #37
Author
Dave Keir
Rights
Dave Keir 2006
Uploaded
October 13, 2006
Track Files
MP3
MP3 3.9 MB 320 kbps 4:18
Story behind the song
When I go walking and climbing in the Scottish mountains, I find that sometimes my mind will wander to issues of the day as I pound my way up some ridge. For example, I have from time to time been pursued by the taxman - not because I make a lot of money but because I’m an utter failure in managing properly that which I do earn. I have also had a weakness for seeking solace in dark bars when I have found the going is getting tough and then consequently been plagued with guilt the next morning. Shortly after this particular day in the hills, I recalled what had been going through my mind and I committed the impression it left me to verse. If the guitar part sounds like a collage of different bits and pieces, then that’s because it is. The sung part is one of the very earliest coherent things I have a recollection of making up. I would have been sixteen, or so, I think. The rest is sparkling new - or was at the time of the recording - and is a product of my noodling around with whole-tone harmony and which incorporates a pastiche of a bit of Mahler.
Lyrics
Happy days are Here again, I’ll Place my foot on the Flank of a hill Who gives a hoot For the money I owe Oh, go on down To the place That you know Some say We’ll be forgiven wherever we go I can’t use ropes, I wish I Could use ropes, all the Paraphernalia like karabiners are Wasted on me Who gives a hoot For the money I owe Oh, go on down It gets easier Every day Some say That it won’t matter anyway
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