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Mademoiselle
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Single   $0.75
Album   $7
Track 8 from the 2006 CD 'Interim Reports' - see Links to purchase.
singersongwriter fingerstyle guitar acoustic guitar songs fingerstyle guitar songs
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Triangular songs of unrequited lust on gatling-gun fingerstyle acoustic guitar...
Dave Keir picked up the guitar at a very early age - too early, in fact, to learn any extant songs or tunes so he became accustomed to picking out his own tunes from the very start. The habit become so deeply and irrevocably ingrained that even a concentrated effort to mend his ways during an interregum in the 80s and 90s had little effect - a relapse was always just around the corner. Dave's pedigree includes many years playing and recording in London and touring the UK and Europe before he retired from the professional scene in 1981 for family and personal reasons. But he always kept a finger on the pulse. And the songs just kept popping up. With the advent of project studios, Dave equipped himself accordingly for the purpose of recording the now substantial back catalogue of songs that had accrued during these years and also to record local musicians who happened by. One late example of these collaborations resulted in the release of a CD of fiddle tunes for some local musicians. Not suprisingly, this marked the beginning of the end of the hiatus. Dave's songs have been described as "quirky", "wry", "sly", "wiry", "muscular", "poignant", "scurrilous", "sleazy", "philosophical" (huh?), and "tuneful" - it depends on the song, he says (duh!). But always, they are "about" something. They range from being almost journalistic about his experiences to wild extrapolations from a single glance or passing smile. Tax worries and mountaineering play a big part in some of the songs - but a higher proportion yet appear to be about unrequited lust. Dave's guitar playing has been described at "gatling-gun", "complicated", "fast", "slow", "simple", "bright", "dark", "dense", "spare", "percussive", "songfull", (yes, I know - it depends on the song). It happens that he's a left-handed guy who plays guitar right-handed. There is no space here to muse on the net effect of that. As for so many independent artists, the coming of the internet has given Dave a new window of opportunity to reach an audience whom, some would say, may be called "niche", and difficult to reach by traditional means. All this has enabled the production release in 2006, of this CD, "Interim Reports", which has been thoroughly welcomed wherever it has been heard. Dave's public performances are, at the time of writing, limited in number and scale, however wherever he does play, the performances are enthusiastically received without exception. So he is now embarked upon a path of recording and issuing songs that are either freshly composed or have been accumulated through the years. However, nothing will get released on a CD that hasn't served time in front of an audience, so the recording and performing sides of the work are closely connected. Plans for the future are centred around not only playing regularly throughout the UK and Europe again, but also to open up new horizons by way of performances in the US. That's it. Thanks for taking the time to read these few lines and if you have been listening to a few of the songs from "Interim Reports", we hope you have enjoyed them!
Song Info
Charts
Peak #295
Peak in subgenre #58
Author
Dave Keir
Rights
Dave Keir 2006
Uploaded
October 13, 2006
Track Files
MP3
MP3 4.0 MB 320 kbps 4:22
Story behind the song
Another song of longing and unrequitedness. There’s no doubt that I have a facility for this kind of thing. Or at least for making a stab after stab at it. Certainly I had to make a concerted effort to successfully wean myself away from penning songs of this type. I think I did about ten in a row before I was cured. Anyway, just how many ways can you describe the experience of infatuation, hope, inhibition, application, anticipation, rejection, and exasperation? The last verse which might appear odd in the context of those preceding might make more sense if considered in the context of Apropos Of A Working Day, earlier on the CD. So why didn’t I put this verse in that song? Because it doesn’t fit and the tune’s different, you idiot! I used to have no trouble playing this but when I got the new OM-18V with it’s longer scale and wider fingerboard, I found I was all over the place for a while. I still have to keep my wits about me in the middle bits of the song. It’s sister song, yet another tale of unrequited lust, is “Ice On Fire” which at the time of writing, is only just recorded. I’ll return here and post a link to it when “mixed”. I just know you’re holding you’re breath…
Lyrics
Mademoiselle est belle she could make a man of me She's atrocious precocious she makes me weak in the knee Doesn't it make your blood grow cold Growing old There's calamity in my heart, mademoiselle's to blame But I can learn her language I can nearly say her name It could all come to no good I wish it would Well I mumble and fumble too Ooh, when I giggle and grin at you All the boys have bon vivant they have the savoir faire I know that I can do it but ooh do I dare It's the gift of the gab If God were in his heaven it would be different I suppose But he's either on vacation or otherwise indisposed I could get down on my knees Pretty please All you need is some confidence But the panic and the fear is just a matter of Common sense Mademoiselle called me but it's pointless because I'm not about to capitulate or clutch at any straws She will soon be on her way Any day If you want to see your like go by in a whoosh Step into my office pick up a pen and push Pick up your day's pay
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