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Entropy
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Album   $7
Track 4 from the 2006 CD 'Interim Reports' - see Links to purchase.
singersongwriter fingerstyle guitar acoustic guitar songs fingerstyle guitar songs
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Triangular songs of unrequited lust on gatling-gun fingerstyle acoustic guitar...
Dave Keir picked up the guitar at a very early age - too early, in fact, to learn any extant songs or tunes so he became accustomed to picking out his own tunes from the very start. The habit become so deeply and irrevocably ingrained that even a concentrated effort to mend his ways during an interregum in the 80s and 90s had little effect - a relapse was always just around the corner. Dave's pedigree includes many years playing and recording in London and touring the UK and Europe before he retired from the professional scene in 1981 for family and personal reasons. But he always kept a finger on the pulse. And the songs just kept popping up. With the advent of project studios, Dave equipped himself accordingly for the purpose of recording the now substantial back catalogue of songs that had accrued during these years and also to record local musicians who happened by. One late example of these collaborations resulted in the release of a CD of fiddle tunes for some local musicians. Not suprisingly, this marked the beginning of the end of the hiatus. Dave's songs have been described as "quirky", "wry", "sly", "wiry", "muscular", "poignant", "scurrilous", "sleazy", "philosophical" (huh?), and "tuneful" - it depends on the song, he says (duh!). But always, they are "about" something. They range from being almost journalistic about his experiences to wild extrapolations from a single glance or passing smile. Tax worries and mountaineering play a big part in some of the songs - but a higher proportion yet appear to be about unrequited lust. Dave's guitar playing has been described at "gatling-gun", "complicated", "fast", "slow", "simple", "bright", "dark", "dense", "spare", "percussive", "songfull", (yes, I know - it depends on the song). It happens that he's a left-handed guy who plays guitar right-handed. There is no space here to muse on the net effect of that. As for so many independent artists, the coming of the internet has given Dave a new window of opportunity to reach an audience whom, some would say, may be called "niche", and difficult to reach by traditional means. All this has enabled the production release in 2006, of this CD, "Interim Reports", which has been thoroughly welcomed wherever it has been heard. Dave's public performances are, at the time of writing, limited in number and scale, however wherever he does play, the performances are enthusiastically received without exception. So he is now embarked upon a path of recording and issuing songs that are either freshly composed or have been accumulated through the years. However, nothing will get released on a CD that hasn't served time in front of an audience, so the recording and performing sides of the work are closely connected. Plans for the future are centred around not only playing regularly throughout the UK and Europe again, but also to open up new horizons by way of performances in the US. That's it. Thanks for taking the time to read these few lines and if you have been listening to a few of the songs from "Interim Reports", we hope you have enjoyed them!
Song Info
Charts
Peak #192
Peak in subgenre #43
Author
Dave Keir
Rights
Dave Keir 2006
Uploaded
October 13, 2006
Track Files
MP3
MP3 3.0 MB 320 kbps 3:19
Story behind the song
Love and the 2nd Law Of Thermodynamics? Yeah, right. Somebody wrote that the song oscillated between a bluegrass feel and a “Jewish” vibe. That tickled me a bit. I think I can see where he was coming from now, though. So you learn something new every day. The 2nd Law certainly has application to the life of my guitar strings, the shortness of which has cost me a small fortune over the years - which in turn has contributed to the entropy of my bank balance and the atrophy of my abilities to buy more guitars. The last which, I guess, proves the cyclical nature of the Universe since it puts a natural limit on the number of sets of guitar strings for which I can directly be the cause of the further application of the 2nd Law. This all might have been fertile ground for the composition of another verse to the song, but composition about decomposition is not something for which I have any heart.
Lyrics
Her loving baby came to her one night In the middle of the month of May And she don't know why they come And they do not stay Every Venus and Mars; every spinning star Sooner or later fade away And she don't know why they come And. they do not stay Oceans will rise continents fall as sure as night follows day And she don't know why they come And they do not stay
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