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Lost Letters
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Folky? Recycling riffs I know; but here's another sad one. This time it's by Terry & Ray with a little help from Miriam.
prog flute cello psychedelic banjo political mandolin sax rock folk pygmy beat
Artist picture
Folk rock meets blues rock whilst occassionally veering into psychedelic and prog rock.
Pygmy Beat: Terry Berman - vocals, sax, piano, flute, recorder & Catholic guilt; ray cochrane - basses, guitars, bad cello, percussion & Protestant longing; Roland - drums, percussion & digital watches; RAMI - occasional drums; Gerry Steele - frequent lead guitar solos; Greg Loyacano - frequent recent drums Pygmy Beat Augmented: Joe Mizzi - recent vocals Gerry Steele - lead guitar solos; Greg Loyacano - drums ray cochrane - basses, guitars, bad cello, percussion; Pygmy Beat Extended: Patricia Vogelenzang - vocals Erik - Drums & Percussion; Greg Loyacano - Drums & some guitars; Gerry Steele - most lead guitar solos; ray cochrane - basses, guitars, bad cello, percussion; Rob Green - vocals & lead - Listen Like Brian; Trudy Newell - vocals; Casey Wells - vocals. Miriam & I: Miriam Webb - vocals, arrangements & good cello. ray cochrane - bass, guitar, bad cello, percussion & arrangements. Roland - hand punched programmed drums. The Newlings: Eric Drabwell - vocals, guitars ray cochrane - bass, guitars, cello Bandi - drums
Song Info
Genre
Rock Folk Rock
Charts
Peak #170
Peak in subgenre #10
Author
Berman Cochrane
Rights
Berman Cochrane
Uploaded
July 11, 2007
Track Files
MP3
MP3 5.0 MB 128 kbps 5:27
Story behind the song
Mix #41 I think, honestly, Faderbug resurrected the vocal track which had been infected by a mystery high pitch that my tinnitus masked. There are still some synch problems with the recorder track but things are much closer this time around.
Lyrics
Bleary windows make it so hard for the sun to brighten the rooms There’s a jumble of boxes, some cases of books and a player without any tunes An old wardrobe Its users long gone alone in the corner still stands One door broken, hanging askew, a drawer full of gloves without hands CHORUS 1 There’s a little tin box under the gloves that I find and set on the floor I pick at the lock Feel my curiosity rise At what may still lie in store Envelopes so brittle, pages so fragile, as I take them into my hands HALF VERSE 2 Do I look at the past, inside stranger’s lives, Or leave them, as manners demand? I gently unfold a crumbling past and rifle through passions not mine. BRIDGE? I feel her fingers Caress the perfumed paper Hear her breath in the phrases as she whispers her love Then I chill as her hard words drive a wedge between Taste the pain as she says that they’ll meet no more I stare at the past At those faded affections Look at the past On each crumpled page And I don’t understand No I don’t understand No I’ll never, not ever, understand. INSTRUMENTAL? LAST VERSE The bleary windows make it so hard, for the sun to brighten the room As I put back the box with its bitter sweet scent of a love that only so briefly had bloomed Walk down the stairs on into the yard, try to shake the dust from my soul Summer’s day holds me fast Tells me time’s healed the past But why is it I feel so cold? Why do I feel so cold?
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