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HALLELUJAH RAP
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A praise song Rap style and encouragement to serve The Lord passionately and trully without the restricting parameters of legalism. Written and vocally produced by Wayne Pascall. Vocal Percussions by Ron Oliver ("Diverse Beats.")
vocal gospel black hymns sing gospel music a capella a cappella christian country wayne pascall voices sheet music contemporary gospel a cappella cds acappella mp3 music contemporary acappella
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I am a gospel artist who produces music, acappella style. I sing and vocally produce all the musical parts in my songs.
Wayne Pascall is an artist who produces gospel music in the style of contemporary acappella under the artist name "Wayne Pascall Acappella." In short, he is a ONE MAN VOCAL ORCHESTRA, using his voice and mouth to produce all the music heard. Some of his songs can have as many as 80 tracks of layered harmonies, vocal percussions, body percussions, sound effects and syncopated chants. Wayne is naturally gifted as bass singer. He uses his voice for bass grooves, bass beats, low undertones and falsetto parts in harmonies that range up to 4 octaves. While some of his songs are composed straight from God's Word, others are adaptations of popular inspirational and secular songs. While providing some elements of entertainment, the main purpose of his music is to minister unto others in the form of artistic expression while bringing glory to Almighty God.
Song Info
Charts
Peak #375
Peak in subgenre #15
Author
Wayne Pascall
Rights
Wayne Pascall, 2005
Uploaded
May 18, 2005
Track Files
MP3
MP3 6.3 MB 192 kbps 4:34
Lyrics
CHORUS Hallelujah! In the highest! Amen! RAP 1 He is The Light He is The Might He is the shining, golden star In the morning bright Come praise Him! Give Him the sacrifice The sacrifice of life 'Cause when we're praising God We praise with all our heart and might Give thanks! RAP 2 About the "isms" And schisms Maybe my friend It's a syllogism Or a criticism "isms" and schisms produced by legalism Turn your back on this And turn away from Hedonism Copyright© Wayne Pascall, 2005.
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