The Other Shore
stepping into a season of fever
A playlist by @michael chocholak
8 followers
·
66 songs
PLAY
FOLLOW

Misha Nogha, an award winning author and poet, Misha is also a classically trained flautist performing in jazz, blues, rock and contemporary genres. An award winning author and poet, Misha is also a classically trained flautist performing in jazz, blues, rock and contemporary genres.

World Jazz / World Fusion: Neon Egypt's unusual improvised Intuitive Music features Saxophones with the Taiko-like percussion of the Shendai Melodic Drums. Newest album UNEARTHED released July 17, 2020. - Visit https://www.NeonEgypt.com An outgrowth of the popular San Francisco 'improv' quartet Tabula Rasa, Neon Egypt is considered to have pioneered a new jazz-based hybrid of Karlheinz Stockhausen's 'Intuitive Music'. Their debut album, Tales Of Kings, released in May of 2000, is considered


experimental, electronic, jazz, world fusion coaxial; 'having coincident axis.' the 'axis' being complimentary takes on music & sound. the music featured here is a (growing) collection of collaborations between myself, michael chocholak, and other sonic beings.

Eccentric and eclectic Surrealist SciFi Americana, Space-Jungle, Acid-Chamber, Free-Jazz Avant remixes and mashups of original material from rdunlap and a growi ............ .... ....... .......... ... ................ for current dadala info and new music visit dadalamusic.com

:sound: -noises noises we all like noises-

Experiments in audio. Music is made anonymously by different artists working under the same title. Songs have been grouped for convenience.

The future of electronic rock ambient industrial,isolationist muzik. The natural progression from rock with electronic instruments to rock influenced electronica ,ambient industrial ,i.d.m.

performing and recording original electro/acoustic works glass box, formed in 1988 in NJ, are currently located in roanoke, va. glass box writes, performs and produces what would be called experimental music. we utilize conventional as well as homemade instruments, found sounds, tape manipulation and any other manner of sound conveyance to produce our pieces. glass box have self-released seven cdr's of experimental music encompassing; avant-guard, electro-acoustic, spoken word, noise/dron...

Farewell23 makes ambient music that is dark and disturbing, and strangely beautiful. It changes the space of the listener inside and out. This music is about ambience, about changing the space which the listener occupies while experiencing the musical piece. This change should effect internal and external space, creating an environment specific to the piece. The listener can ignore this music or actively engage with it, either way it will change their space-- the only difference will be the d...

experimental, electronic, jazz, world fusion coaxial; 'having coincident axis.' the 'axis' being complimentary takes on music & sound. the music featured here is a (growing) collection of collaborations between myself, michael chocholak, and other sonic beings.

Electronic,noise,soundscapes,beats,hiphop. SoundSculpture,Minamal noise,Soundscapes,Beats,Samples,ect. Let me know if you like any of it. Thanks, Matt

Misha Nogha, an award winning author and poet, Misha is also a classically trained flautist performing in jazz, blues, rock and contemporary genres. An award winning author and poet, Misha is also a classically trained flautist performing in jazz, blues, rock and contemporary genres.

Wim produces chillout electronica with a touch of modern new age music. Ideal for tired souls and for those who seek a soft atmosphere. Welcome to Wim. An imaginary land in an ancient world. I was born in 1972 in Trondheim, Norway. An ancient city dating over 1000 years back, and it was in fact one of the greatest viking seats in Norway. All I know about music I tought myself. In the 80s I started listening more and more to electronic artists such as Jean-Michel Jarre and Tangerine Dream...

Misha Nogha, an award winning author and poet, Misha is also a classically trained flautist performing in jazz, blues, rock and contemporary genres. An award winning author and poet, Misha is also a classically trained flautist performing in jazz, blues, rock and contemporary genres.

Michael Chocholak's abstract electronic and electroacoustic soundscapes where any sound source is considered a potential instrument from skin drum to pc. Influe The electronic and electroacoustic musics of Michael Chocholak. Soundscapes; abstract, visceral and imagick. Structured improvisations, surreal architectures, alternate mythologies. Music for the imagination as well as the ears. A fair amount of it probably qualifies for what Laurie Anderson termed 'the Difficult Listening Hour', but

background/foreground tones for the head ranging from minimal ambient to full blown noise orchestrations. Low definition expressions that are imagination-friend Welcome. May you enjoy tuning in with your third ear. These sound craft adventures become psyfidelic when downloaded. Background/foreground tones for the head ranging from minimal ambient to full blown noise orchestrations. Low definition expressions that are imagination-friendly

'Music is a moral law. It gives soul to the universe, wings to the mind, flight to the imagination, and charm and gaiety to life and to everything.' Plato

Electro industrial experimental noise and Techno Trance/IDM. October 17th 2005 Realised that drt should probably update all this at some point but dont hugely fancy doing it right now. Anyway there are a few new tracks here and also in the archive so if you drop by and have a little listen feel free to leave a message if you are so inclined. Thats all for now... drt

Michael Chocholak's abstract electronic and electroacoustic soundscapes where any sound source is considered a potential instrument from skin drum to pc. Influe The electronic and electroacoustic musics of Michael Chocholak. Soundscapes; abstract, visceral and imagick. Structured improvisations, surreal architectures, alternate mythologies. Music for the imagination as well as the ears. A fair amount of it probably qualifies for what Laurie Anderson termed 'the Difficult Listening Hour', but