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Epic:The new Generation of Hip-Hop We are EPIC The New Generation Of Rap
jblack,jayson black div align=center Album coming soon!/
Str8 from tha grimiest hoods in tha STL and Compton. This new Mixtape shit is off tha fuc*in rictor. New freestyle disses gettin at that punk Nelly. Put tha wor Yo D.J. Fugitive is tha muthafu**** future peeps. Got all them fire ass beats 4 yo ass! This some str8 gangsta sh** , some new mixtape freestylin' battle sh**.
It's jus me..Young Heat aka Realistic..i've been spittin since 7th grade..now i'm in 10th...so it's been a while...and i'm jus gettin better every time..
![Picture for song '[[ Ice Grillz ]] {MJG/SWISHA HOUSE FREE DOWNLOAD}' by artist 'INT Productions'](https://cloudimages.soundclick.com/05/images/i/song/intproductions%2Bicegrillzmjgswishahousefreedownload2.jpg)
contact: intprostudio@yahoo.com ONLY CONTACT US IF YOUR SERIOUS!!!
Soulja Boy Tell 'Em - Interscope Records www.souljaboytellem.com in Stores now! 'Souljaboytellem.com' Album In Stores Now!!! For Booking Info Contact Cara Lewis William Morris Agency, LLC. Avenue of Americas New York, NY Phone - 212.903.1316 Fax - 212.903.1531 Email - cpl@wma.com Soulja Boy Tell 'Em 'Crank That'(Soulja Boy) Stacks On Deck/Collipark/HHH/Interscope Records www.myspace.com/souljaboytellem www.interscope.com/souljaboy www.souljaboytellem.com Hit me on My Sidekic...
Somethings Gotta Give The first album cover that I co-produced with Brian for the Moore Foundation featured a blazing phoenix on the front - a symbolic rebirth of many things. It represented a fresh new breeze in the local music scene at a time where 'everybody is starting to sound like everybody else.' It also represented a new direction for a family full of local talent. Rather than just being the hometown favorites, Brian felt that it was time to re-organize all of the creative talents
Somethings Gotta Give The first album cover that I co-produced with Brian for the Moore Foundation featured a blazing phoenix on the front - a symbolic rebirth of many things. It represented a fresh new breeze in the local music scene at a time where 'everybody is starting to sound like everybody else.' It also represented a new direction for a family full of local talent. Rather than just being the hometown favorites, Brian felt that it was time to re-organize all of the creative talents
Somethings Gotta Give The first album cover that I co-produced with Brian for the Moore Foundation featured a blazing phoenix on the front - a symbolic rebirth of many things. It represented a fresh new breeze in the local music scene at a time where 'everybody is starting to sound like everybody else.' It also represented a new direction for a family full of local talent. Rather than just being the hometown favorites, Brian felt that it was time to re-organize all of the creative talents
Somethings Gotta Give The first album cover that I co-produced with Brian for the Moore Foundation featured a blazing phoenix on the front - a symbolic rebirth of many things. It represented a fresh new breeze in the local music scene at a time where 'everybody is starting to sound like everybody else.' It also represented a new direction for a family full of local talent. Rather than just being the hometown favorites, Brian felt that it was time to re-organize all of the creative talents
Somethings Gotta Give The first album cover that I co-produced with Brian for the Moore Foundation featured a blazing phoenix on the front - a symbolic rebirth of many things. It represented a fresh new breeze in the local music scene at a time where 'everybody is starting to sound like everybody else.' It also represented a new direction for a family full of local talent. Rather than just being the hometown favorites, Brian felt that it was time to re-organize all of the creative talents
Somethings Gotta Give The first album cover that I co-produced with Brian for the Moore Foundation featured a blazing phoenix on the front - a symbolic rebirth of many things. It represented a fresh new breeze in the local music scene at a time where 'everybody is starting to sound like everybody else.' It also represented a new direction for a family full of local talent. Rather than just being the hometown favorites, Brian felt that it was time to re-organize all of the creative talents
Somethings Gotta Give The first album cover that I co-produced with Brian for the Moore Foundation featured a blazing phoenix on the front - a symbolic rebirth of many things. It represented a fresh new breeze in the local music scene at a time where 'everybody is starting to sound like everybody else.' It also represented a new direction for a family full of local talent. Rather than just being the hometown favorites, Brian felt that it was time to re-organize all of the creative talents
