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Funkomanation

Bringing back the old school style FUNK

3 top 1
5 top 50
23 songs
43.7K plays
3
Picture for song 'FEAR AFFAIR' by artist 'Funkomanation'

FEAR AFFAIR

FEAR AND LOVE Produce and Vocals by Robert Armstrong and guitars NEAL LANDAUER, MAURICE SEAY,
4
Picture for song 'LAST RIDE' by artist 'Funkomanation'

LAST RIDE

NUTTIN LIK DA LAST RIDE
5
Picture for song 'WOMAN IN THE WHITE HOUSE' by artist 'Funkomanation'

WOMAN IN THE WHITE HOUSE

HEY! CINDERELLA TIME 2 STEP OUT YOUR SHOES, I'M GETTIN TRIED OF SINGING THE SAME OLD BLUES.
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36 months
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FAQ
Why would I need a license?
A license is needed if you want to use the music for anything else than just listening for your pleasure. Typical uses are
  • freestyling over a beat
  • licensing music for use in TV or for a movie
  • remixing or use audio samples
What are the license options and what are the differences between those?
We offer up to 5 license templates (Basic, Premium, Track Out, Unlimited, Exclusive) and it's up to the artist which ones he/she wants to make available. Each license comes with different perks. In general, the higher the price, the better the perks.
You can click on each feature on the left side of the comparison chart above to learn more about each one.
When will I get the track I purchased?
You can download all related files immediately after your purchase. We also email you a one-time download link for a download later.
How can I remove the audio tag from the track?
A "tagged beat" is a demonstration version of an instrumental that contains distinct audio watermarks that typically play throughout the entire track. The purpose of a producer tagging his/her instrumental is to prevent piracy and to encourage serious recording artists to purchase a license.
To get a tag-free audio please make sure you purchase a license which features "untagged audio".
I purchased a $1 download, why is the beat still tagged?
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To license a beat without audio tag and to use in a professional manner please buy a license from this page. Usually those are $25 and up.
What is a stem / trackout file?
A Stem file is an audio file that contains a track split into several musical elements: A drums stem, a bassline stem, a harmony stem, and a lead stem for example.
The Stem file also usually includes the original stereo master of the track for standard playback.
Why would I need a stem / trackout file?
A trackout file gives you much better control. Imagine you rap over a beat and you realize the percussions take the focus away from your vocals. With a trackout file you can simply tone down the percussion and the focus is now on the vocals. With a trackout file you have much more flexibility and a whole different level of control.
THE BLOOD AND FROM IT COMES ALL. THE BLESSING AND THE HEALING. THE BLOOD ROBERT ARMSTRONG (ROOSTAR), KENNETH BRYANT(7MYSTIC), MAURICE SEAY, SLAP NAPPY, STEVE WIEST, NEAL LANDAUER, CARL BRYANT(CASPIER),
Band/artist history
More than a year ago, a CD single crossed my desk, unidentified: The song contained therein -- "Hold the Cocaine, Pass the Cyanide" -- turned out to be the work of one Robert Merrill Armstrong, a UPS truck driver who just happens to have one the most acute cases of funkitis in the area. A vocalist with a baritone that makes the singer from Alabama sound like a choirgirl, Armstrong is easily one of Denver's most curious artists. This fact is well-documented on his first full-length album, Forget Me Not the Funk!, a nine-song affair that Armstrong recorded with his band, the Funkomanation (try saying that five times fast), and friends from the local outfit Uncut. It is one of the strangest recordings I've heard in quite a while -- a puzzling effort that suggests what might have happened had Wesley Willis and Prince gotten together and consumed copious amounts of over-the-counter allergy medicine. That is to say: It is fabulous, a delicious blend that is always a little odd (a sample lyric from "(We Need a) Woman in the White House": "United we stand, united we fall/Please, please give that woman a call...You can Rhumba, you can dance/Please, please give that woman a chance") and sometimes simply confounding (tracks two and three are barely decipherable, sub-auditory noisefests that may well be there by accident). It is also sometimes perfect: "Fear Affair" is a sweet love song with an island vibe and a climbing, spindly guitar (vocals by K.D. Bryant); "Hatching of the Clones" is a busy, sample-heavy beat-driven blast (with a fabulous title). I suspect this album would be enjoyed by those who just like to shake their booties -- Bootsy style -- and also those who have a taste for left-of-center, "outsider" music.
Have you performed in front of an audience?
IN STUDIO
Your musical influences
FUNKADELIC
What equipment do you use?
magix
Anything else?
" p
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