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Sepiroth

 
Sepiroth

Intergalactic Spacey Mood Goth-tastic Weirdness Rock Metal Blues.

1 top 50
15 songs
8.3K plays
Basic
$25
MP3
No audio tag
2,500 sales
10,000 streams
Non-exclusive
Buy 1 get 1 free
Premium
$50
MP3 + WAV
No audio tag
5,000 sales
50,000 streams
Non-exclusive
Buy 1 get 1 free
Trackout
$100
MP3 + WAV + Trackout
No audio tag
25,000 sales
500,000 streams
Non-exclusive
Buy 1 get 1 free
Unlimited
$200
MP3 + WAV + Trackout
No audio tag
Unlimited sales
Unlimited sales
Non-exclusive
Buy 2 get 1 free
Exclusive
$2,500
MP3 + WAV + Trackout
No audio tag
Unlimited sales
Unlimited sales
Exclusive rights
Compare licenses
MP3 file
WAV file
Trackout/stems
Audio tags
Sales limit
Paid streams limit
Publishing split
Must credit producer
Exclusive rights
License duration
Discount
Basic
$25
0
2,500
10,000
50/50
12 months
Buy 1 get 1 free
Premium
$50
0
5,000
50,000
50/50
12 months
Buy 1 get 1 free
Trackout
$100
0
25,000
500,000
50/50
12 months
Buy 1 get 1 free
Unlimited
$200
0
Unlimited
Unlimited
50/50
24 months
Buy 2 get 1 free
Exclusive
$2,500
0
Unlimited
Unlimited
50/50
36 months
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FAQ
Why would I need a license?
A license is needed if you want to use the music for anything else than just listening for your pleasure. Typical uses are
  • freestyling over a beat
  • licensing music for use in TV or for a movie
  • remixing or use audio samples
What are the license options and what are the differences between those?
We offer up to 5 license templates (Basic, Premium, Track Out, Unlimited, Exclusive) and it's up to the artist which ones he/she wants to make available. Each license comes with different perks. In general, the higher the price, the better the perks.
You can click on each feature on the left side of the comparison chart above to learn more about each one.
When will I get the track I purchased?
You can download all related files immediately after your purchase. We also email you a one-time download link for a download later.
How can I remove the audio tag from the track?
A "tagged beat" is a demonstration version of an instrumental that contains distinct audio watermarks that typically play throughout the entire track. The purpose of a producer tagging his/her instrumental is to prevent piracy and to encourage serious recording artists to purchase a license.
To get a tag-free audio please make sure you purchase a license which features "untagged audio".
I purchased a $1 download, why is the beat still tagged?
Beats purchased for $1 in our store are meant for streaming and demo use only, just like downloads from iTunes store or Amazon music.
To license a beat without audio tag and to use in a professional manner please buy a license from this page. Usually those are $25 and up.
What is a stem / trackout file?
A Stem file is an audio file that contains a track split into several musical elements: A drums stem, a bassline stem, a harmony stem, and a lead stem for example.
The Stem file also usually includes the original stereo master of the track for standard playback.
Why would I need a stem / trackout file?
A trackout file gives you much better control. Imagine you rap over a beat and you realize the percussions take the focus away from your vocals. With a trackout file you can simply tone down the percussion and the focus is now on the vocals. With a trackout file you have much more flexibility and a whole different level of control.
I recorded 'the long dark tea time of the soul' around 2004. I had no idea what I was doing: I didn't know how to play my instruments, I didn't know how to record music and I didn't know how to produce music (this is all still true). Tom Robinson picked up on the track 'Silbury Hill' after I submitted it to the 6 music introducing show. He was quite encouraging and played it on BBC 6music (at 2am and edited). He also used it as a bed for a YouTube video he posted of the south by southwest festival; https://www.youtube.com/watch?v=VasCVwzBM00 But I needed to earn money so I decided I had no talent and went off to find paid work instead of wasting time noodling on the guitar. For a long time I thought these tunes were awful (most of you still do!) and it was only because I couldn't log into my account (then forgot it existed) that I didn't delete it all in a fit of embarrassment. But listening back years later I think it's cool for all of the above reasons. There are no vocals and sure there are bum notes and bits out of time, yes the mixing isn't great but I wasn't 'trying' to do anything because I didn't know "how" to do anything. So ultimately it's pretty honest music, reflecting how I felt at the time and with a lot of pretty good ideas and I think it sounds like .... well... me. I think if you can get past the amateurism some of it works pretty well. I can't actually believe I made Ghosts - I think its a really good track!! I think they all have moments where the ideas are interesting and moments where they fall apart.
Band/artist history
I was supposed to be an artist my grandad was a painter (an expressionist impressionist he called himself) my dad was into illustration all through school I was the kid who could draw when I hit my twenties I lost all desire to make art but I was driven to make sounds so I made this album then I gave up making sounds and did less rewarding things with my time...
Have you performed in front of an audience?
I have never played live - but Im half tempted to have a go.
Your musical influences
My dad was into country so I respond to the classic country tunes like Hank Williams or Johnny Cash. My stepdad was a biker and through him I learned about Black Sabbath, Deep Purple, Led Zeppelin/Jimi Hendrix/Blues. At school I liked the goth and metal kids so I was into the cure, Fields of the Nephillim, Siouxsie and the Banshees, Sisters of Mercy, The Cult, Metallica, Iron Maiden, Faith no more. In 6th form I was a bit more indie so I liked Lush, Happy Mondays, Ride, the Pixies. I used to listen to John Peel every night while working on my A level art projects, also Mark Radcliffe's out on blue six radio show. When I left school I moved to Gloucester where I met a girl I liked who was a Punk - so obviously I learned as much about Punk as I could! After Gloucester I moved to Manchester and all bets were off :) All music is good!! Now I listen to BBC Radio 6 music because its the only thing that covers everything I like.
What equipment do you use?
'The Long Dark Teatime of the Soul' was recorded in Cakewalk Pro Tracks 2.2 with the following equipment; Digitech RPX400 and RP100 Guitar multi effects pedals. (www.digitech.com) Digitech BP50 Bass multi effects pedal (www.digitech.com) Marshall MG30 DFX Amp (www.marshallamps.com) Boss HM-3 Distorion pedal Squier Stagemaster HH Fame Series 760 Strat copy Vintage 5 string bass Casio CTK-571 Keyboard Betamonkey drum loops (www.betamonkeymusic.com) Line 6 Variax 300 (black)
Anything else?
I just realised Ive been on this platform for 20 years! I forgot It even existed - but I did sell one song for 79 cents so thats awesome :)
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Comments (16)

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